Barry Levinson directs this satirical portrayal of two weeks in the life of middle-aged Hollywood producer, Ben (Robert De Niro), who must juggle the demands of his personal life with a series of ever more ridiculous setbacks as he struggles to get his new film completed. Industry insider Art Linson wrote the screenplay, which is adapted from his memoirs 'What Just Happened?: Bitter Hollywood Tales From the Front Line'.

A musical day in the life of the Dee Luxe Car Wash, where the employees while away the hours until closing time by doing anything other than work. Amongst those pulling up to get their windscreens buffed are George Carlin, The Pointer Sisters and Richard Pryor, as a Reverend preaching the holiness of money. The host of funky tunes includes the smash hit title song by Rose Royce.

Loosely based on the seminal 'Gonzo' writings of Hunter S. Thompson, this comedy stars Bill Murray as the renegade, drug-crazed, drunken journalist 'Dr' Hunter Thompson, who decides to cover the Super Bowl and the 1972 Presidential Election, accompanied by his reprobate lawyer Carl Lazlo (Peter Boyle), in his own inimitable style.

Updated version of the Dickens' classic with Bill Murray as Frank, a network TV president and modern day Scrooge who is always looking out for number one. One night, as Christmas approaches, he is visited by three zany ghosts including ex-New York Doll David Johansen as the Ghost of Christmas Past and Carol Kane as a violent Ghost of Christmas Present; whilst jazz great Miles Davis appears in a cameo role as a street musician.

Art Linson's riotous journey through the making of five major motion pictures.
Whether he's trying to persuade an executive that Gwyneth Paltrow has enough chin to carry the lead in a movie, forcing an enraged Alec Baldwin to shave off his mountain-man beard, or sitting through an excruciating reading of a David Mamet script as Bob de Niro toys with the notion of heading up the cast, Art Linson gives us a brutally honest, funny, and comprehensive tour through the horrors of Hollywood, from script to screen.
In What Just Happened? we get to explore, at close range, finicky directors, clueless executives, shameless marketers, famous actors, battered screenwriters, and hapless producers crossing paths in such calamitous ways that it's a miracle these films get made at all. Linson is the ideal guide through this heavily land-mined, high-stakes industry, pausing for a moment here or there to explain some aspect or pitfall of the business, to wax nostalgic about film days past, or to serve up a compelling inside Hollywood tale of woe. Whether you love the movies or not, you won't be able to resist the stories behind them.

Have you ever wondered what a Hollywood movie producer actually does? In A Pound of Flesh, producer Art Linson takes us behind closed doors on a rare backstage tour through Hollywood. With amusing stories that recount his challenging experiences with a legion of players whose roster includes David Mamet, Robert De Niro, Jeff Katzenberg, Brian De Palma, Sean Penn, Ned Tanen, Dr. Hunter S. Thompson, and Sean Connery, Unson sheds klieg lights on the mystery behind the moviemaking process. From acquiring scripts to hiring a writer, packaging the talent, and facing the horror of opening night, you'll glimpse the sweat on the brows of some of Tinseltown's hottest players as they sidestep minefields at the box office, grin through embarrassing defeats, and occasionally bow to the magic of success. A Pound of Flesh is the first guide by a true insider to exactly how movies get made in Hollywood. Linson maps the entire course, beginning with that initial spark of an idea that propels the producer into action, through unpredictable and often chaotic meetings with writers, agents, and movie executives, and even on to the fearsome task of confronting preview audiences and the critics. He chronicles his own disasters and successes, charting the bloody process by which a film is finally, and at times painfully, realized on the screen. We are brought into executive suites, made privy to cellular phone conversations, and escorted onto the sets of multimillion-dollar productions to see what it takes to get a movie made, as well as to learn why other projects, despite the vast effort and money behind them, can ultimately end up gathering dust on some studio's forgotten shelf, or in pieces on the cuttingroom floor. A Pound of Flesh is an engaging, informative, and oftentimes hilarious account of one man's odyssey to compete in America's cruelest, most glamorous industry. This is a book for film students, movie lovers, and anyone interested in the backstage drama of Hollywood.